Kaite Hillenbrand interviewed me for the November issue of Connotation Press and published five of my poems that range from tattoos to flat tires to the dangers of muddy and snowy roads.
I traveled to Clarksville, TN, this month for the launch of my book. Clarksville is home to Austin Peay State University & Zone 3 Press, and every other year they hold a first book contest in poetry and fly in the winner AND the judge for a reading and meeting with a creative writing class. Nancy Eimers, author of Oz (Carnegie Mellon 2011), Grammar to Waking (Carnegie Mellon 2006), No Moon (Purdue 1997), and Destroying Angel (Wesleyan 1991), was the judge, and let me say, a fabulous reader and all-around amazing person. I have never felt so welcome – by Ms. Eimers, but also by the incredible staff and faculty and students of APSU and Zone 3. A special shout-out to Susan Wallace, Andrea Spofford, and Barry Kitterman – I know I saw the tiniest sliver of their responsibilities at APSU and Zone 3, and yet I was impressed by their dedication to students and literature and their own writing.
The book contest and many of the creative writing activities are thanks to Tennessee’s funding and dedication to its Centers of Excellence; the Center of Excellence for the Creative Arts is housed at APSU. It’s funding and foresight like this that keeps literature and creative endeavors moving forward.
Here are a couple of photos from the event – one of me and Ms. Eimers; one of me signing books & greeting. Both are grainy (low light, my brother’s phone). But that’s a very happy me in both photos.
After more than a year of anticipation (on my part), my book Frost in the Low Areas is now available for pre-order, with shipping happening around the middle of October. You can get it from Zone 3 Press, the publisher, and shipping is FREE.
Please, when you can, support small presses by ordering from the press or through Small Press Distribution. When you order from Amazon, the press gets a measly and evil 20-some percent of the cost back – not enough to sustain a small press.
Here’s the link to Zone 3 Press, out of Austin Peay State University in Tennessee: https://epay.apsu.edu/C20023_ustores/web/product_detail.jsp?PRODUCTID=163
Frost won the First Book Award from Zone 3 Press.
My poem “Homunculus” is in the inaugural issue of Swarm! Here’s the link:
I mentioned in the previous post how fabulous it was working with Brandon Amico, one of the four editors at Swarm. I just got a thank-you note from him in the mail. Got that? – a thank-you note. Handwritten. On a cute card. How sweet is that?
So: writers, I encourage you to read Swarm and submit your best. Now I’m off to read the fiction in this issue.
I have a poem front page at the literary journal B O D Y. My thanks to editor Chris Crawford – yet another wonderful journal that runs on love and probably tanks of coffee. Check it out:
While you’re there, I highly recommend reading Sara Peters’s beautiful poems (from early November 2012).
Not a typo – I really do have 14 poems in UCity Review as their featured poet of the issue. What an honor! Editors Andrew Cox & Lisa Sass were lovely to work with. Check out the cool intro they wrote: “With humor, toughness and hope, her poetry binds up a world weary of loose ends…” That pretty much sums me up. Thanks UCity Review!
I have two poems now archived on the oh-so-cool website of The Bakery. The poems were front page November 1 & 2. You can read them at the links below and/or listen to the audio files. I loved reading these – they’re playful and almost flirty, and even when you’re sitting in your car at 11 p.m. at night, making a recording, it’s pretty fun.
“While Peeling a Banana”
While you’re there, check out the incredible poems by Ralph Black, Cristin O’Keefe Aptowicz, and more.
Part I of this tutorial goes over Audacity, open-source, free software that’s available for download. Part II of this tutorial covers your sound studio.
Because you don’t have a sound studio built into your house, do you? And you’ve never missed that feature until now. When you record yourself, even if you’ve gotten the coolest microphone ever, your voice will bounce off the walls and sound hollow or have an echo.
To reduce that hollow sound, choose the smallest, most heavily padded room in your house – maybe a playroom or the nursery if you have kids, or your tiny office that is really a closet. In fact, try the closet. Toss a few extra pillows in with you. Bathrooms won’t work – tile gives a wicked echo.
Or you can choose the space I like best: the interior of my car. I sit in the passenger seat, pop open the laptop, and record away. Post-2000 cars have ridiculously plush interiors, so the usual echo is absorbed.
I stumbled upon car-as-studio in the usual way: the kids were asleep. I had to make an MP3 without waking them, which put the whole upstairs off limits. Mothering and the necessity of invention.
It’s becoming more common for online journals or print journals with a web presence to request that their writers send them MP3 files of the accepted piece being read by the writer. I love this trend – I’m always delighted to hear poems read aloud, the differently nuanced words, the surprise of a writer’s voice.
It was good fortune that PANK Magazine was the first journal to ask me to record an MP3 – they sent me a link to Audacity, a free, open-source software program for Mac, PC, and Linux users. Here’s the link to Audacity:
Most of you will be all set at this point, since all the newer Macs and PCs have built-in microphones. For those of you with older computers, run out to your nearest electronic shop and invest in a $30 webcam with microphone (the one I use is Logitech, though I’m sure there are lots of good brands). Setup takes about 90 seconds. You’ll also be able to Skype with all your faraway friends and family for free, so it really is worth that small investment.
With Audacity now installed, give the software a test run. The buttons you’ll care most about are the big colored buttons top left, and on my Mac they look grayed out as if they weren’t available. Ignore the grayscale – they’ll work. Hit the red record button and sing a few notes. You can playback by tapping the purple arrows that point left, then tap the green play button. Grimace as you listen to yourself sing. Aren’t you glad you’re a writer?
Now you can try recording some takes of your poem. I like to print out the poem first rather than fumbling with the down key and the on-screen version, though I sometimes get paper rattle noises if I’m not careful. If I mess up, I ditch that attempt and start over, since it’s harder to smooth out stops and starts in a recording. I’ll give my big tip on (almost) studio-quality recordings in part II of this tutorial.
Once I have a recording I like, I usually go back and delete the fumbling sounds at the beginning and ending of the recording (from me starting and stopping Audacity). To edit, just click and drag your cursor over the second(s) you don’t like, then hit delete. There’s an undo button (arrow curving left) if you mess up. I’ve never bothered with any of the other buttons, but if you’re an AV-type person, have at it.
I usually save this file (by clicking File > Save Project) in its raw format, .aup. Then I export the file as an MP3 (by clicking File > Export As MP3). That’s the version you’ll send to the journal as an email attachment.
I love this trend in online publishing, and I hope it’s more widely used as editors and writers become comfortable with the technology.
One of the tasks I’ve been given by Zone 3 Press is to come up with some cover art ideas. I’ve read other people’s blogs and interviews on cover art for their first books of poetry, and so many people seem to have had some art already picked out, sometimes by a friend who’s an artist. I do have friends that are artists and have considered this, but I haven’t landed on anything specific. So I’ve been cruising the Internet. The name of the manuscript is Frost in the Low Areas, bringing to mind… well… cold stuff. Here are some links to fabulous images of cold stuff, or getting-to-be-but-not-yet cold stuff.
Photography by Dan Brown
I especially like the last two images by Dan Brown on the page – the one in blue, and the one that looks like a palm tree or pressed fern.
And here are a bunch of images by photographer Lars van de Goor of the Netherlands.
Image 1 Image 2 Image 3 Image 4 Image 5
Image 6 Image 7
Nice photos. I especially like the images with people in them, though I worry that most of those are too wintry and monochrome.
Here’s one that caught my eye early on, by photographer Robert Fulton of the UK. It’s the first image on the page.
Robert Fulton’s photo
I found the fractals by Matt Walford interesting. My favorite is the blue one – that image doesn’t seem to load directly, so you’ll need to click on the thumbnail at the bottom of the page.
…and that’s it so far. This is a lot harder than I thought it would be. I have some Zone 3 books on my nightstand right now, and they’re gorgeous – and the covers seem so perfect. Here are links to a couple of Zone 3 books that I own.
John Pursley’s If You Have Ghosts
Amanda Auchter’s The Glass Crib
Nice covers, eh?